Kang’s exploration of color, graphic line, and shape is evidenced by her interests in flatness and her response to representing a three-dimensional world onto flat surfaces. Indeed Shinduk’s lenticular prints are interrelated with her sculptural roots as a two dimensional attempt to recreate the same sense of space and depth while similarly requiring the audience to physically move around the work. By layering different color settings to the one image on the lenticular lens, we are called to reexamine and reimagine simple still life images from multiple perspectives.